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	<title>Comments on: Joao Silva, The Bang Bang Club, and Jehad Nga</title>
	<atom:link href="http://www.theasc.com/blog/2010/11/22/joao-silva-the-bang-bang-club-and-jehad-nga/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.theasc.com/blog/2010/11/22/joao-silva-the-bang-bang-club-and-jehad-nga/</link>
	<description>John Bailey&#039;s thoughts on cinematography and artistic expression</description>
	<lastBuildDate>Fri, 10 May 2013 08:07:16 +0000</lastBuildDate>
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		<title>By: David Brabyn</title>
		<link>http://www.theasc.com/blog/2010/11/22/joao-silva-the-bang-bang-club-and-jehad-nga/#comment-354</link>
		<dc:creator>David Brabyn</dc:creator>
		<pubDate>Tue, 23 Nov 2010 12:12:51 +0000</pubDate>
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		<description><![CDATA[Friends and colleagues of Joao have set up a website to sell his prints and collect donation: http://joaosilva.photoshelter.com/]]></description>
		<content:encoded><![CDATA[<p>Friends and colleagues of Joao have set up a website to sell his prints and collect donation: <a href="http://joaosilva.photoshelter.com/" rel="nofollow">http://joaosilva.photoshelter.com/</a></p>
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		<title>By: Rene Gaston AMC</title>
		<link>http://www.theasc.com/blog/2010/11/22/joao-silva-the-bang-bang-club-and-jehad-nga/#comment-353</link>
		<dc:creator>Rene Gaston AMC</dc:creator>
		<pubDate>Tue, 23 Nov 2010 00:46:07 +0000</pubDate>
		<guid isPermaLink="false">http://www.ascmag.com/blog/?p=2383#comment-353</guid>
		<description><![CDATA[a Must  read ...  Novel by former Conflict Photographer and Laureate writer.  &quot;Territorio Comanche&quot;. by Arturo Perez Reverte.

 I don´t know of any editions in  English.

it  adresses the moral conflict between intervening or getting the shot.

loosely tranlated quote:   &quot; If  you are  too far, you don´t get the shot. If  yoú are too close, you get  killed&quot;.]]></description>
		<content:encoded><![CDATA[<p>a Must  read &#8230;  Novel by former Conflict Photographer and Laureate writer.  &#8220;Territorio Comanche&#8221;. by Arturo Perez Reverte.</p>
<p> I don´t know of any editions in  English.</p>
<p>it  adresses the moral conflict between intervening or getting the shot.</p>
<p>loosely tranlated quote:   &#8221; If  you are  too far, you don´t get the shot. If  yoú are too close, you get  killed&#8221;.</p>
]]></content:encoded>
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	<item>
		<title>By: Rene Gaston AMC</title>
		<link>http://www.theasc.com/blog/2010/11/22/joao-silva-the-bang-bang-club-and-jehad-nga/#comment-352</link>
		<dc:creator>Rene Gaston AMC</dc:creator>
		<pubDate>Tue, 23 Nov 2010 00:18:17 +0000</pubDate>
		<guid isPermaLink="false">http://www.ascmag.com/blog/?p=2383#comment-352</guid>
		<description><![CDATA[a Sincere Tribute for All WAR &amp; CONFLICT

photographers

 in The  World !!!.

 You Are The Eyes of Humanity .

We Need You More Than  Ever.



with Admiration &amp; Gratitude.

Rene Gaston AMC.  Mexico City, Mexico.]]></description>
		<content:encoded><![CDATA[<p>a Sincere Tribute for All WAR &amp; CONFLICT</p>
<p>photographers</p>
<p> in The  World !!!.</p>
<p> You Are The Eyes of Humanity .</p>
<p>We Need You More Than  Ever.</p>
<p>with Admiration &amp; Gratitude.</p>
<p>Rene Gaston AMC.  Mexico City, Mexico.</p>
]]></content:encoded>
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		<title>By: Iyabo Kwayana</title>
		<link>http://www.theasc.com/blog/2010/11/22/joao-silva-the-bang-bang-club-and-jehad-nga/#comment-351</link>
		<dc:creator>Iyabo Kwayana</dc:creator>
		<pubDate>Mon, 22 Nov 2010 17:15:38 +0000</pubDate>
		<guid isPermaLink="false">http://www.ascmag.com/blog/?p=2383#comment-351</guid>
		<description><![CDATA[We were discussing the ethical issues documentary filmmakers and photographers face when witnessing terrible atrocities.  Carter&#039;s award winning photo came up.  Many students felt that instead of taking the picture he could have taken the child.  Others believe that it was more important to take the picture to show the world a singular moment that represented a phenomenon and therefore an opportunity for others to be moved to action.  Might it be culturally imperialistic to intervene or is it our human responsibility? I am torn.  What do you think?







John&#039;s reply:

Iyabo, I don&#039;t normally respond to a specific point in my weekly pieces, but what you bring up about the dilemma that photojournalists have in deciding whether or not to intervene in a life or death situation is one that every journalist must ask over and over. James Nachtwey discusses the &quot;bearing witness&quot; or active participant conundrum in the film &quot;War Photographer.&quot; There is also a sequence where he does try to save a man pursued and beaten by a mob. As for the Carter image in question, I believe it is also discussed in the book &quot;Bang Bang Club.&quot; His suicide  some weeks later may have been as much about the torment over this image as the wounding and death of his colleagues. It is  such a famous image I am certain you can Google information. Also, Susan Sontag&#039;s late book &quot;Regarding the Pain of Others&quot; debates the efficacy of such images.]]></description>
		<content:encoded><![CDATA[<p>We were discussing the ethical issues documentary filmmakers and photographers face when witnessing terrible atrocities.  Carter&#8217;s award winning photo came up.  Many students felt that instead of taking the picture he could have taken the child.  Others believe that it was more important to take the picture to show the world a singular moment that represented a phenomenon and therefore an opportunity for others to be moved to action.  Might it be culturally imperialistic to intervene or is it our human responsibility? I am torn.  What do you think?</p>
<p>John&#8217;s reply:</p>
<p>Iyabo, I don&#8217;t normally respond to a specific point in my weekly pieces, but what you bring up about the dilemma that photojournalists have in deciding whether or not to intervene in a life or death situation is one that every journalist must ask over and over. James Nachtwey discusses the &#8220;bearing witness&#8221; or active participant conundrum in the film &#8220;War Photographer.&#8221; There is also a sequence where he does try to save a man pursued and beaten by a mob. As for the Carter image in question, I believe it is also discussed in the book &#8220;Bang Bang Club.&#8221; His suicide  some weeks later may have been as much about the torment over this image as the wounding and death of his colleagues. It is  such a famous image I am certain you can Google information. Also, Susan Sontag&#8217;s late book &#8220;Regarding the Pain of Others&#8221; debates the efficacy of such images.</p>
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		<title>By: Tim</title>
		<link>http://www.theasc.com/blog/2010/11/22/joao-silva-the-bang-bang-club-and-jehad-nga/#comment-350</link>
		<dc:creator>Tim</dc:creator>
		<pubDate>Mon, 22 Nov 2010 16:51:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.ascmag.com/blog/?p=2383#comment-350</guid>
		<description><![CDATA[thank you for this inspiring post, particularly for the conclusions you make at the end.  As a young photographer trying to make a transition to cinematography, your posts that draw upon still photography&#039;s parallels to motion photography give me confirmation that on a deeper level, all technical considerations aside, this leap i&#039;m making is more of a hop.]]></description>
		<content:encoded><![CDATA[<p>thank you for this inspiring post, particularly for the conclusions you make at the end.  As a young photographer trying to make a transition to cinematography, your posts that draw upon still photography&#8217;s parallels to motion photography give me confirmation that on a deeper level, all technical considerations aside, this leap i&#8217;m making is more of a hop.</p>
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