In an eclectic career, Bailey has photographed such mainstream Hollywood films as Ordinary People, The Big Chill, Silverado, The Accidental Tourist, Groundhog Day, In the Line of Fire, As Good as It Gets, How to Lose a Guy in 10 Days, The Sisterhood of the Traveling Pants, Must Love Dogs; such offbeat films as Norman Mailer’s Tough Guys Don’t Dance and Jason Miller’s That Championship Season; and such genre-bending pictures as Swimming to Cambodia, A Brief History of Time and The Kid Stays in the Picture.
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Recent Posts
- John Cage: A Juilliard Centennial
- Jean Tinguely: “A Magic Stronger Than Death”
- Flannery O’Connor: Andalusia in Milledgeville
- Raymond Cauchetier’s New Wave Photos at AMPAS
- The Strandbeests of Theo Jansen
- The Three Graces, The Snapshot, and Roland Barthes
- THE DIGITAL DILEMMA 2
- Trisha Ziff and The Mexican Suitcase
- The New York Times: “The Year in Pictures”
- Chely Wright: WISH ME AWAY




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