In an eclectic career, Bailey has photographed such mainstream Hollywood films as Ordinary People, The Big Chill, Silverado, The Accidental Tourist, Groundhog Day, In the Line of Fire, As Good as It Gets, How to Lose a Guy in 10 Days, The Sisterhood of the Traveling Pants, Must Love Dogs; such offbeat films as Norman Mailer’s Tough Guys Don’t Dance and Jason Miller’s That Championship Season; and such genre-bending pictures as Swimming to Cambodia, A Brief History of Time and The Kid Stays in the Picture.
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Recent Posts
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- Matthias Stork: Chaos Cinema/Classical Cinema, Part Two
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- Second Year Blogging: A Salmagundi, Part 1
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