In an eclectic career, Bailey has photographed such mainstream Hollywood films as Ordinary People, The Big Chill, Silverado, The Accidental Tourist, Groundhog Day, In the Line of Fire, As Good as It Gets, How to Lose a Guy in 10 Days, The Sisterhood of the Traveling Pants, Must Love Dogs; such offbeat films as Norman Mailer’s Tough Guys Don’t Dance and Jason Miller’s That Championship Season; and such genre-bending pictures as Swimming to Cambodia, A Brief History of Time and The Kid Stays in the Picture.
John Bailey, ASC
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Recent Posts
- Ray Zone and the “Tyranny of Flatness”
- Frank Hurley: The “Endurance” and Paget Color
- Evelyn Glennie, Musician
- “From My Window”: The Late Work of André Kertész and Josef Sudek
- Krzysztof Penderecki in Nashville
- Twilight Visions: Paris Surrealism in Nashville
- Gerhard Richter’s and Robert Storr’s “September”
- Werner Herzog’s “Of Walking in Ice”
- Where Do We Go Now? “Avatar” and Beyond
- Claude Monet’s “Haystacks” in Chicago
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