In an eclectic career, Bailey has photographed such mainstream Hollywood films as Ordinary People, The Big Chill, Silverado, The Accidental Tourist, Groundhog Day, In the Line of Fire, As Good as It Gets, How to Lose a Guy in 10 Days, The Sisterhood of the Traveling Pants, Must Love Dogs; such offbeat films as Norman Mailer’s Tough Guys Don’t Dance and Jason Miller’s That Championship Season; and such genre-bending pictures as Swimming to Cambodia, A Brief History of Time and The Kid Stays in the Picture.
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Recent Posts
- On the Streets: Garry Winogrand at SFMOMA—Part One
- WAR/PHOTOGRAPHY: At the Annenberg Space
- FIVE BROKEN CAMERAS: Two Directors Under Fire
- 82nd & Fifth: The Met Online
- Killing Them (Not So) Softly
- Ai Weiwei: “According to What?” — “Never Sorry”
- The Quay Brothers in the Twilight Zone
- AFI Cinematography Fellows at the Getty
- Robby Müller: The ASC International Award, 2012
- A Century Ago: Films of 1912—Part Two




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