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	<title>John Bailey&#039;s Bailiwick</title>
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	<description>John Bailey&#039;s thoughts on cinematography and artistic expression</description>
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		<title>John Cage: A Juilliard Centennial</title>
		<link>http://www.theasc.com/blog/2012/05/07/john-cage-a-juilliard-centennial/</link>
		<comments>http://www.theasc.com/blog/2012/05/07/john-cage-a-juilliard-centennial/#comments</comments>
		<pubDate>Mon, 07 May 2012 08:00:43 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

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		<description><![CDATA[In January, 1960 the top rated CBS television game show I’ve Got a Secret featured one of its most unusual celebrity guests. Crew cut, bow-tied, genial host Garry Moore introduced a lanky, tall man in a dark suit. His name was John Cage and Moore called him, “probably one of the most controversial figures in [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Jean Tinguely: “A Magic Stronger Than Death”</title>
		<link>http://www.theasc.com/blog/2012/04/23/jean-tinguely-a-magic-stronger-than-death/</link>
		<comments>http://www.theasc.com/blog/2012/04/23/jean-tinguely-a-magic-stronger-than-death/#comments</comments>
		<pubDate>Mon, 23 Apr 2012 08:00:29 +0000</pubDate>
		<dc:creator>ascadmin</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

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		<description><![CDATA[Shortly after the staged event ended in a tangle of crushed metal and hot ashes, with smoke and steam still rising from the charred ruins, one woman spectator claimed it was a major success. “It was like being in the Twenties again,” she enthused. New York Times art critic John Canaday, a more dispassionate observer, [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Flannery O’Connor:  Andalusia in Milledgeville</title>
		<link>http://www.theasc.com/blog/2012/04/09/flannery-oconnor-andalusia-in-milledgeville/</link>
		<comments>http://www.theasc.com/blog/2012/04/09/flannery-oconnor-andalusia-in-milledgeville/#comments</comments>
		<pubDate>Mon, 09 Apr 2012 08:00:47 +0000</pubDate>
		<dc:creator>ascadmin</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

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		<description><![CDATA[“Lives spent between the house and the chicken yard do not make exciting copy.” This may have been Flannery O’ Connor’s terse judgment on the constricted confines of her family home, Andalusia, a few miles north of the Georgia town of Milledgeville. But in a small bedroom of that house, at first on a battered typewriter [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Raymond Cauchetier’s New Wave Photos at AMPAS</title>
		<link>http://www.theasc.com/blog/2012/03/26/raymond-cauchetiers-new-wave-photos-at-ampas/</link>
		<comments>http://www.theasc.com/blog/2012/03/26/raymond-cauchetiers-new-wave-photos-at-ampas/#comments</comments>
		<pubDate>Mon, 26 Mar 2012 08:00:26 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.theasc.com/blog/?p=5034</guid>
		<description><![CDATA[He’s a world traveler who photographed the monumental ruins of the Angkor Wat temple complex in Cambodia as well as hundreds of Romanesque church tympana and sculptures from Norway to Coptic Egypt—but Raymond Cauchetier lives in the same apartment in Paris’ 12th arrondissement where he was born in 1920. He is a photo autodidact who [...]]]></description>
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		<slash:comments>4</slash:comments>
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		<title>The Strandbeests of Theo Jansen</title>
		<link>http://www.theasc.com/blog/2012/03/12/the-strandbeests-of-theo-jansen/</link>
		<comments>http://www.theasc.com/blog/2012/03/12/the-strandbeests-of-theo-jansen/#comments</comments>
		<pubDate>Mon, 12 Mar 2012 08:00:43 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.theasc.com/blog/?p=4893</guid>
		<description><![CDATA[They glide over the smooth, damp sands at the tide line like endoskeletons of some Jurassic raptor. Their creator, an obsessive yet whimsical Dutchman named Theo Jansen hovers over them like a cautious parent at his child’s first bicycle ride. And dogging Jansen’s own heels is his omnipresent Coton de Tulear pooch, Murphy. If Murphy [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>The Three Graces, The Snapshot, and Roland Barthes</title>
		<link>http://www.theasc.com/blog/2012/02/27/the-three-graces-the-snapshot-and-roland-barthes/</link>
		<comments>http://www.theasc.com/blog/2012/02/27/the-three-graces-the-snapshot-and-roland-barthes/#comments</comments>
		<pubDate>Mon, 27 Feb 2012 09:00:17 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

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		<description><![CDATA[The Edward Steichen Photography Galleries in New York City’s Museum of Modern Art remain a shrine to its late curator John Szarkowski’s vision of the history of art photography. It may be true that on occasion anonymous images, usually from photography&#8217;s early history, sneak onto its hallowed walls. But mostly, the ever-shifting galleries display a [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>THE DIGITAL DILEMMA 2</title>
		<link>http://www.theasc.com/blog/2012/02/13/the-digital-dilemma-2-dilemma/</link>
		<comments>http://www.theasc.com/blog/2012/02/13/the-digital-dilemma-2-dilemma/#comments</comments>
		<pubDate>Mon, 13 Feb 2012 09:00:15 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

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		<description><![CDATA[ONE On January 18, 2012, the silent film Wings, directed by William Wellman, was screened in the Academy’s Goldwyn Theater in a new restoration, with color tinting duplicating the original Handschiegl process, and featuring live organ accompaniment by Clark Wilson. But this was in no way a recreation of the original release. In 1927, Wings [...]]]></description>
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		<slash:comments>9</slash:comments>
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		<title>Trisha Ziff and The Mexican Suitcase</title>
		<link>http://www.theasc.com/blog/2012/01/30/trisha-ziff-and-the-mexican-suitcase/</link>
		<comments>http://www.theasc.com/blog/2012/01/30/trisha-ziff-and-the-mexican-suitcase/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 09:00:52 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.theasc.com/blog/?p=4805</guid>
		<description><![CDATA[ONE In May 2007, Mexican documentary filmmaker Trisha Ziff, at the behest of curators at the International Center of Photography in Manhattan, met another Mexican filmmaker, an elusive but affable man named Ben Tarver, at a coffee shop in Mexico City. Tarver brought with him contact sheets he had printed from three rolls of 35mm [...]]]></description>
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		<slash:comments>5</slash:comments>
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		<title>The New York Times: “The Year in Pictures”</title>
		<link>http://www.theasc.com/blog/2012/01/16/the-new-york-times-the-year-in-pictures/</link>
		<comments>http://www.theasc.com/blog/2012/01/16/the-new-york-times-the-year-in-pictures/#comments</comments>
		<pubDate>Mon, 16 Jan 2012 09:00:23 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.theasc.com/blog/?p=4754</guid>
		<description><![CDATA[Are we living in a golden age of photojournalism? Has the artful sophistication of today&#8217;s image makers so unbalanced the hoary &#8220;picture/ thousand word&#8221; equation that some of the news we read is the photo caption? Multiple broadcasts, print and Internet platforms swamp us with a daily, even hourly, flood of ongoing and one-off news [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Chely Wright: WISH ME AWAY</title>
		<link>http://www.theasc.com/blog/2012/01/02/chely-wright-wish-me-away/</link>
		<comments>http://www.theasc.com/blog/2012/01/02/chely-wright-wish-me-away/#comments</comments>
		<pubDate>Mon, 02 Jan 2012 09:00:23 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.theasc.com/blog/?p=4713</guid>
		<description><![CDATA[Thirty-five minutes into the documentary film of her life, Wish Me Away, singer Chely Wright tells Baptist minister C. Welton Gaddy of a moment of such personal despair that she put a loaded pistol into her mouth. It may be difficult to understand what could have precipitated an existential crisis this dire in a woman [...]]]></description>
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		<slash:comments>2</slash:comments>
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