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	<title>John Bailey’s Bailiwick</title>
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	<link>http://www.theasc.com/blog</link>
	<description>John Bailey&#039;s thoughts on cinematography and artistic expression</description>
	<lastBuildDate>Mon, 20 May 2013 08:00:29 +0000</lastBuildDate>
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		<title>On the Streets: Garry Winogrand at SFMOMA—Part One</title>
		<link>http://www.theasc.com/blog/2013/05/20/on-the-streets-garry-winogrand-at-sfmoma-part-one/</link>
		<comments>http://www.theasc.com/blog/2013/05/20/on-the-streets-garry-winogrand-at-sfmoma-part-one/#comments</comments>
		<pubDate>Mon, 20 May 2013 08:00:29 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.theasc.com/blog/?p=6059</guid>
		<description><![CDATA[A billboard on a passing bus announces a major retrospective of America’s greatest photographer of urban life. Above it, riders sit at the windows, caught in a fleeting moment of distraction not unlike those in Winogrand’s own images. In the right corner, a young blond woman looks down at a book, or more likely, this [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>WAR/PHOTOGRAPHY: At the Annenberg Space</title>
		<link>http://www.theasc.com/blog/2013/05/06/warphotography-at-the-annenberg-space/</link>
		<comments>http://www.theasc.com/blog/2013/05/06/warphotography-at-the-annenberg-space/#comments</comments>
		<pubDate>Mon, 06 May 2013 08:00:02 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.theasc.com/blog/?p=6036</guid>
		<description><![CDATA[Ever since acquiring the first proof print more than ten years ago of Joe Rosenthal’s iconic photograph of the raising of Old Glory on Iwo Jima’s Mt. Suribachi, Houston Museum of Fine Arts photography curator Anne Wilkes Tucker has been on a mission. It has taken her and colleagues on a worldwide search into collections [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>FIVE BROKEN CAMERAS: Two Directors Under Fire</title>
		<link>http://www.theasc.com/blog/2013/04/22/five-broken-cameras-two-directors-under-fire/</link>
		<comments>http://www.theasc.com/blog/2013/04/22/five-broken-cameras-two-directors-under-fire/#comments</comments>
		<pubDate>Mon, 22 Apr 2013 08:00:45 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.theasc.com/blog/?p=5872</guid>
		<description><![CDATA[In 2005, a Palestinian farmer named Emad Burnat acquired a cheap consumer video camera. His intention was to record the day-to-day life of his recently born fourth son, Jibril. The rapid growth of his three other sons had given him a keen sense of how quickly childhood is lost in the hardscrabble, rocky hills of [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>82nd &amp; Fifth: The Met Online</title>
		<link>http://www.theasc.com/blog/2013/04/08/82nd-fifth-the-met-online/</link>
		<comments>http://www.theasc.com/blog/2013/04/08/82nd-fifth-the-met-online/#comments</comments>
		<pubDate>Mon, 08 Apr 2013 08:00:29 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.theasc.com/blog/?p=5956</guid>
		<description><![CDATA[This sculpture from the third millennium B.C. rests on a sunlit ledge in my office. Actually, that’s not entirely accurate. It is in my office, but it was carved in the 21st century after Christ, not before &#8212;a reproduction of a similar piece that rests in a vitrine in the Classical Greek galleries of the Metropolitan [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Killing Them (Not So) Softly</title>
		<link>http://www.theasc.com/blog/2013/03/25/killing-them-not-so-softly/</link>
		<comments>http://www.theasc.com/blog/2013/03/25/killing-them-not-so-softly/#comments</comments>
		<pubDate>Mon, 25 Mar 2013 08:00:16 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.theasc.com/blog/?p=5940</guid>
		<description><![CDATA[This image appeared above the page one fold in the NY Times Arts and Leisure section on Sunday March 3, 2013. It is both an amusing and a disturbing mash up graphic: that often debated link between screen violence and real life violence that continues to haunt us. This simple image prompted me to look [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Ai Weiwei: “According to What?” — &#8220;Never Sorry&#8221;</title>
		<link>http://www.theasc.com/blog/2013/03/11/ai-weiwei-according-to-what-never-sorry/</link>
		<comments>http://www.theasc.com/blog/2013/03/11/ai-weiwei-according-to-what-never-sorry/#comments</comments>
		<pubDate>Mon, 11 Mar 2013 08:00:15 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.theasc.com/blog/?p=5834</guid>
		<description><![CDATA[The Chinese polymath artist Ai Weiwei was only one year old when his father Ai Quing, a revered poet who had run afoul of government censorship, and his mother, Gao Ying, were forced to leave their home in Beijing. For the next sixteen years, the family lived in the northwestern city of Shihezi in Xinjiang, [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<title>The  Quay Brothers in the Twilight Zone</title>
		<link>http://www.theasc.com/blog/2013/02/25/the-brothers-quay-in-the-twilight-zone/</link>
		<comments>http://www.theasc.com/blog/2013/02/25/the-brothers-quay-in-the-twilight-zone/#comments</comments>
		<pubDate>Mon, 25 Feb 2013 09:00:02 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

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		<description><![CDATA[Passing through the entry doors of the recent Quay Brotthers retrospective at MoMA is like Dorothy entering Oz—except the Quays’ is a world of murky darkness, not vibrant color, of conjecture, not conviction, of ghostly figures moving in a washed out, gritty netherworld. Forget the signposts of time and space that normally guide you through [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>AFI Cinematography Fellows at the Getty</title>
		<link>http://www.theasc.com/blog/2013/02/11/afi-cinematography-fellows-at-the-getty/</link>
		<comments>http://www.theasc.com/blog/2013/02/11/afi-cinematography-fellows-at-the-getty/#comments</comments>
		<pubDate>Mon, 11 Feb 2013 09:00:24 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.theasc.com/blog/?p=5748</guid>
		<description><![CDATA[&#160; The West Pavilion photography galleries of the Getty Center have for several years been the site of an annual visit hosted by Kodak for the Cinematography Fellows of the American Film Institute At the behest of Stephen Lighthill, Senior Filmmaker-in-Residence at the AFI, and Lorette Bayle from Kodak, I’ve been able to conduct walkthroughs of [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<item>
		<title>Robby Müller: The ASC International Award, 2012</title>
		<link>http://www.theasc.com/blog/2013/01/28/robby-muller-the-asc-international-award-2013/</link>
		<comments>http://www.theasc.com/blog/2013/01/28/robby-muller-the-asc-international-award-2013/#comments</comments>
		<pubDate>Mon, 28 Jan 2013 09:00:58 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.theasc.com/blog/?p=5730</guid>
		<description><![CDATA[The 2006 Camerimage tribute booklet to the esteemed Dutch cinematographer Robby Müller includes a short interview with this quiet, modest man, widely honored for his work in the United States and Europe. His vision of cinematography is passionately recorded in the distinctively personal images of his nearly seventy credits. Müller is one of a handful [...]]]></description>
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		<slash:comments>4</slash:comments>
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		<title>A Century Ago: Films of 1912—Part Two</title>
		<link>http://www.theasc.com/blog/2013/01/14/a-century-ago-films-of-1912-part-two/</link>
		<comments>http://www.theasc.com/blog/2013/01/14/a-century-ago-films-of-1912-part-two/#comments</comments>
		<pubDate>Mon, 14 Jan 2013 09:00:25 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.theasc.com/blog/?p=5673</guid>
		<description><![CDATA[ONE Standing at the back of the Academy&#8217;s Dunn Theater in mid-December, hand cranking Joe Rinaudo&#8217;s  restored 1909 Power&#8217;s projector, I felt sucked back into the flow of cinema history. The Cat&#8217;s Paw, a one reeler from 1912, unspooled at a soothing rhythm just as it had a century ago in some Midwestern nickelodeon. Later [...]]]></description>
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		<slash:comments>2</slash:comments>
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