AMERICAN CINEMATOGRAPHER
Cameras in Cinematic History

1) Moy & Bastie 35mm wooden hand-crank camera ca. 1909. This camera has internal 400' wood magazines, and features a variable shutter and through the film focusing. It uses a unique film transport movement called the drunken screw. This camera was donated by Charles G. Clarke, ASC.

The Cunningham Gun Camera ca. 1942. This 35mm Magnesium alloy bodied camera was co-designed by Greg Toland, ASC and Mr. Cunningham for John Ford's troops in the Pacific theater. It features a Mitchell style movement which is located inside the magazine, and a four lens turret. Focusing is accomplished by movement of the film plane rather than by moving of the lens elements.

Geortz 35mm hand-crank Bakelite bodied camera ca. 1925. The most outstanding feature of this camera is the enormous effects iris mounted on the front. The magazines as well as many of the internal parts are also made of Bakelite. This camera donated by Kemp Niver.

Debrie Parvo 35mm wooden hand-crank camera. This camera was at one time the most popular European made camera. Favored by Abel Gance, it was used in the filming of his classic silent film Napoleon. The internal structure is quite impressive in that its surface is engine turned to a magnificent finish. This camera also has a variable shutter and a frame rate indicator. Donated by Elmer Dyer, ASC.

Willart 35mm hand-crank metal bodied camera. This camera, closely fashioned after the Pathe, is a rugged, versatile instrument. It features the ability to do in-camera dissolves and fades. On loan by Steve Gainer, Curator, ASC Camera Museum.


[ Inside the ASC ]