1 Beyond Laptop for Portable HD Editing
1 Beyond, Inc. announced a nonlinear laptop system designed exclusively for editing and graphics applications, including high definition. Called the 1 Beyond 3817 HD, the new laptop brings video professionals considerably more power than most desktops in a portable, fully featured laptop starting at $2,695 and fully configured for HD at $5,995.

Optimized for HD editing and delivery (including 720p and 1080i), the 1 Beyond 3817 HD features up to 3.8GHz Pentium 4 processors with Hyperthreading technology for dual-processor-optimized software, up to 4GB of memory and 200GB of internal storage, eight channels of high-definition audio and support for the new high-speed PCI Express video bus. 

With its unique dual-bus architecture, the 1 Beyond 3817 HD is also the industry’s first high-end laptop that can support Avid Mojo and external storage simultaneously. This unique ability gives editors access to many more hours of footage than is commonly possible on laptop storage alone and lets them mix HD, HDV, uncompressed SD and DV footage simultaneously.

The fast processor, coupled with the 800Mhz front-side bus and 2GB bridge, makes this laptop ideal to run the new generation of software-only editing solutions such as Avid Xpress Pro HD and Adobe Premiere Pro, as well as many other processor-intensive applications. It allows users to edit both HDV and full-resolution HD in real time as well as multiple streams of real time audio and SD and DV video with no lag, delay or skipped frames. 

The 3.8 GHz processor also makes the 1 Beyond 3817 HD especially suited for the unique demands of HD productions in the field. This new system allows editors to simply connect popular HD devices such as the Panasonic DVCPro HD or the new HDV cameras from JVC and Sony via the unique dual Firewire ports.

The 1 Beyond 3817 HD can output high-quality HD images to its own 17” high-resolution, wide-format screen as well as to external monitors or HD projectors via its DVI video output. Combined with its unique high-definition Intel audio subsystem, the 1 Beyond 3817 HD is capable of supporting 5.1 or 7.1 Dolby surround sound and is ideal for presentations of dailies or corporate videos to large audiences.

For more information visit www.1Beyond.com or call (877) 663-2396. 

Thomson Introduces Aurora Software
Thomson announced its Grass Valley Aurora suite for digital news, sports, and feature production. Integrating ingest, nonlinear editing, and playlist-management functions, the suite scales to support everything from browse-quality files to standard- and high-definition (SD and HD) video.

The pace of today’s hard news, sports, and feature production workflows continues to accelerate as media leaders aggressively pursue new methods of repurposing their high-value content over multiple distribution channels, from Web sites to cell phones. Central to this effort is the integration of IT-based technologies, which reduce the cost of and increase the return on workflow investments.

Leveraging the core technologies resident in the company’s Grass Valley digital news production (DNP) line, the Aurora suite supports standard PC platforms and networking technologies, touches the entire story-creation workflow from capture and editing through playback control, and scales from browse-level support to full HD production.

The Aurora suite is also integrated with Grass Valley Ignite line of integrated production solutions to form an end-to-end production environment, from the news center or sports desk to the control room.

In addition to the Aurora production suite, Thomson also launched the Grass Valley dMAX (digital Media Asset Maximization) initiative to help media leaders worldwide capitalize on their investment in digital content creation.

Through the initiative, Thomson will offer a single-supplier integration partner for digital workflow success: one that can deliver software and middleware frameworks, critical applications, best-in-class products, and expert system integration and support services to create complete, optimized, end-to-end workflows.

The Aurora suite is tuned to support news, feature, and sports production. Users can configure it with ingest, editing, and/or playlist management modules — and specify floating licenses for each module — to match their workflow requirements and available labor pools. Its scalable design supports everything from MPEG-1 and Windows Media 9 for low-resolution proxy files to SD and HD video. And it takes only a new license key and the proper hardware platform for the suite to move from one video type to another.

For ingest, the Aurora suite includes an interactive feed capture system that makes it easy to schedule incoming feeds as well as quickly capture and turn around breaking news stories and sports highlights. It can also directly import HD files stored on a Grass Valley Profile server.

The Aurora suite features the fastest nonlinear editor available, one that lets users begin their work even before a clip has been completely loaded, and that lets them preview edits and effects in real time. For HD production, it also includes a high-resolution output for monitoring. In fact, users’ files remain in high resolution across the entire production chain during HD and SD production — even if a user is editing at a lower resolution — thereby maintaining image quality while conserving network bandwidth.

For playlist management, the Aurora suite features up to six mirrored channels of A/B-roll playlist management and the ability for users to enter a running order of stories and clips quickly, cue them, and trigger them for play to air and manipulate this list dynamically, without interrupting playback. Open protocols are also available for third-party applications.

The Aurora suite supports a variety of standard PC platforms, from simple desktop systems to laptops and high-performance workstations.

Representing a highly cost-effective editing toolset for journalists and producers, the new Aurora suite is based on field-proven Grass Valley digital news production software. The new system features a software-based codec that users can configure to support multiple resolutions and media types: one that  combines cuts-only edit bay capabilities, traditional A/B roll suite transition functions, color correction, and effects.

What’s more, the Aurora includes character generation, and multi-track audio editing capabilities. Users also can export its Edit Decision Lists (EDLs) to another for offline finishing and audio sweetening, and then import the results back into the Aurora suite. Moreover, the suite editor makes extensive use of the inherent graphics processing capabilities of the PC platform to facilitate affordable digital production and to accommodate third-party applications and products.

The Aurora suite also supports a full range of scalable storage systems as well as Ethernet and Fibre Channel connectivity options.

For more information, visit www.thomsongrassvalley.com.

Avid Delivers Media Composer Adrenaline HD
Avid Technology, Inc. announced Media Composer Adrenaline HD 2.0 system. This major upgrade brings powerful HD editing capabilities to Media Composer Adrenaline software for the first time.

In addition, customers can augment their systems with the new Avid DNxcel HD board and experience extensive HD functionality, including comprehensive I/O and broad support for a range of formats and resolutions from all popular HD decks and cameras. The optional Avid DNxcel board installs into the open expansion slot on the Avid Adrenaline hardware.

The Avid DNxcel board also supports Avid’s mastering quality 10-bit Avid DNxHD format, which is the only encoding technology on the market that maintains superior HD image quality throughout the postproduction process and enables professionals to work with 10-bit HD media in real time in a collaborative shared-storage environment. The Media Composer Adrenaline HD system also provides real-time multicamera functionality in both SD and HD, and allows customers to mix multiple HD, SD, and DV formats and resolutions in the same timeline.

The HD functionality of the Media Composer Adrenaline HD system powered by the Avid DNxcel board includes the ability to:

Edit 10-bit Avid DNxHD media in real time and preview it on an HD monitor.

Capture from and output to all popular formats via an HD-SDI interface.

Down-convert to SD in letterbox, anamorphic or center-crop modes.

Use a Digital Visual Interface (DVI) output for low-cost HD monitoring.

Work with popular HD resolutions and frame rates: 720p/59.94, 1080p/23.976, 1080p/25, 1080i/50, and 1080i/59.94 will be initially supported, with 720p/23.976, 1080p/24, 720p/50, and 720p/29.97 in 2005.

Capture and output DVCPro HD media via an IEEE-1394 connection.

Enhanced software features of the Media Composer Adrenaline HD 2.0 system include new RGB offline capabilities for file-based workflows with the Avid DS Nitris system, IEEE 1394 support for DVCPro 50 media, new SpectraMatte high-quality 16-bit HD/SD chroma keyer, and a rich effects and keying framework with the new AVX 2.0 effects architecture.

The Media Composer Adrenaline HD 2.0 system, which comprises the Media Composer Adrenaline HD 2.0 software and the Avid Adrenaline hardware, is available for $25,000. The optional Avid DNxcel board may be added for $9,995. These products will initially be qualified for the HP xw8200 and xw8000 workstations, as well as other existing Media Composer Adrenaline Windows XP platforms. Support for the Mac platform is planned to follow in 2005.

Customers who do not require extensive HD I/O capabilities or real-time functionality for previewing HD effects, but wish to import, natively edit, and render Avid DNxHD and DVCPro HD media can purchase the Media Composer Adrenaline HD system without the Avid DNxcel board. Upgrades to the Media Composer Adrenaline HD 2.0 software are available for free to existing Media Composer Adrenaline customers on Avid Assurance.

For more information visit www.avid.com or call (800) 949 2843.

Avid Xpress Pro HD
Avid Technology, Inc. announced Avid Xpress Pro HD software, the first portable HD version of the company’s industry-leading nonlinear digital editing software.

Avid Xpress Pro HD software delivers support for native Panasonic DVCPro HD acquisition and editing, Avid DNxHD editing and rendering, and real-time multicamera functionality. Avid Xpress Pro HD customers will also receive native HDV support as part of a free software update scheduled for mid-2005.

Avid Xpress Pro HD software also includes additional new features, such as DV50 capture and output over IEEE 1394, 24p and video effects output over IEEE 1394, and expanded film support. Another key benefit of Avid Xpress Pro HD software is its integration with other Avid editing and finishing solutions. Footage captured on Media Composer Adrenaline HD or Avid DS Nitris systems in Avid DNxHD — Avid’s new mastering-quality, storage-efficient encoding technology — can be transferred to an Avid Xpress Pro HD system using shared storage or local storage. In addition, the flawless conform capabilities across the Avid product line allow customers to start projects on any Avid system — including Media Composer Adrenaline HD, Avid DS Nitris, Symphony, or Film Composer — and continue working on their media in the portable Avid Xpress Pro HD system before sending their work back to other Avid systems for finishing.

The Avid Xpress Pro HD software is available through Avid’s worldwide reseller channel and the Avid store (www.avidstore.com) for $1,695. An upgrade for existing Avid Xpress Pro 4.x customers is available for $199. Users who purchase the Avid Xpress Pro HD software will be eligible for a free upgrade to the next release of the product, scheduled to ship in mid 2005, which will offer native HDV editing capabilities as well as a host of additional new features. A Mac version of Avid Xpress Pro HD software is also expected to be available in 2005.

For more information visit www.avid.com or call (800) 949 2843.

Blackmagic Design New DeckLink Upgrade With VariCam Support
Blackmagic Design released a DeckLink for Macintosh v4.7 software update which is available at no charge to all DeckLink users. This update provides VariCam capture and over-cranking support on all DeckLink HD models.

This new software update also adds a new hardware-based HD down-converter on DeckLink HD Pro 4:4:4 models that allows simultaneous playback in both HD-SDI and SD-SDI and SD analog component video. Also available is 14-bit 5x over-sampled composite NTSC/PAL video output on DeckLink HD Pro models.

All DeckLink HD series cards support full capture of VariCam material. Additional 720p Easy Setups have been provided in Final Cut Pro HD and Blackmagic Deck Control for speeds of 24, 25 and 30 Hz. The 720p/25Hz Easy Setup supports the use of VariCam at a PAL frame rate.

Over-cranking can now be performed with all DeckLink HD series cards for the smooth display of slow motion video. VariCam footage recorded at 59.94 or 60 fps can be captured and played back by DeckLink HD series cards at a slower frame rate, such as 24 fps, presenting a slow-motion playback effect on screen.

Composite NTSC/PAL output available on DeckLink HD Pro dual-link models. This output can be switched between RGB/YUV or composite NTSC/PAL when running in standard-definition mode. This composite output is 14-bit digitally synthesized and 5x over-sampled for high quality and low chroma crawl.

Simultaneous HD and SD output is supported on DeckLink HD Pro in 25 and 29.97 fps. DeckLink HD Pro dual-link outputs can now perform hardware down-conversion, enabling simultaneous output of both SD and HD video. Hardware down-conversion outputs HD video through the HD-SDI output to deck (second top BNC port).

SD video outputs from both the HD-SDI Monitoring Output (top BNC port) and the analog video outputs in YUV or composite NTSC/PAL through the breakout cable. Hardware down-conversion can be used with any HDTV 1080 material in any of the 8-bit, 10-bit, PhotoJPEG or DVCPro HD formats. This format is great for down-converting and making a quick VHS dub via the new composite analog output setting.

Down-conversion also works in desktop mode, as long as the desktop frame rate is set to 25 or 29.97 fps. This is important when users are working in Photoshop in 16:9, as the down-conversion can be used to convert graphics from 16:9 to anamorphic output on SD.

All DeckLink cards can now perform HDTV to Anamorphic SDTV (16:9) down-conversion in addition to Letterbox SDTV down-conversion in both the hardware and software down-converters.

The DeckLink system preferences now include options for both software and hardware down-conversion for easy setting.

Blackmagic Design features four models of dual-rate HD-SDI and standard-definition SDI video cards. Starting at $595, DeckLink HD is the perfect entry level SDI card for both HD and SD. Add genlock and AES audio in and out and DeckLink HD Plus is a flexible SDI-based solution for larger systems.

DeckLink HD Pro models are available in two models, and include additional high-quality analog video monitoring. DeckLink HD Pro single-link 4:2:2 retails for $1,495, and the dual-link RGB 4:4:4 DeckLink HD Pro model is $1,995. All models are shipping now, and available worldwide.

Since DeckLink HD Pro has been released, many people have marveled at the incredible quality of the RGB 10-bit 4:4:4 Blackmagic codec for editing and feature film production. Also popular has been the new high quality 14-bit analog 4:4:4 output, which allows users to monitor video at the highest quality available for digital to analog conversion.

The secret to DeckLink HD Pro's analog output quality is, unlike other off the shelf SDI to analog converters, DeckLink HD Pro's analog video output was designed from the ground up to support the quality of Dual Link 4:4:4 RGB, at the deepest 12-bits of precision as supported in the Dual Link 4:4:4 HD-SDI specification.

DeckLink for Macintosh v4.7 includes all new features and is available from the Blackmagic Design Web site at no charge. For more information visit www.blackmagic-design.com or call (702) 257 2371.

New Chrosziel Twister DV for Camera Support
16x9 Inc. introduces the Chrosziel Twister DV. The Twister is a precisely balanced, one-piece camera support system for popular lightweight cameras.

Twister offers stable and smooth support when shooting from any position. The camera simply attaches to the system’s central mounting plate. Once installed, the camera pivots between Twister’s two handgrips on the system’s rotary axle. This enables the camera to establish its natural center of balance. Regardless of how or where Twister is moved, the camera remains upright.

Twister’s pinpoint balance is derived from human physics. When a person carries objects, they inherently move in a steady and level manner. The system takes advantage of this natural ability to balance by distributing the camera’s weight between both hands. This two-handed operation allows for highly precise, dynamic and flexible camera movements from ground level to as far as the arms can reach, minimizing wobble and shake.

Lightweight and durable, the Twister DV is constructed of high-grade anodized aluminum coated with a dark matte finish. Rounded ergonomic handles are designed for a comfortable yet secure grip. Featuring a smart, streamlined design, the system dismantles quickly and can easily be stored in the camera case.

The Chrosziel Twister DV camera stabilizer is available exclusively in the U.S. from 16x9 Inc. Suggested list price is $1,695.

For more information, visit www.16x9inc.com or call (818) 972-2839.

Da Vinci 2K Plus and 2K Elite Series
Da Vinci Systems announced the release of a new series of upgrades for its Emmy Award-winning 2K image enhancement system.

Available for new and existing 2K Plus users, options in the new 2K Elite series provide three distinct upgrade packages including creative panel designs that promote instant recognition. The 2K Ruby, 2K Sapphire, and 2K Emerald systems combine the functionality of da Vinci's Power Windows with a combination of other popular features to provide post houses with a superb toolset for finishing feature films, advertising spots, television shows, and other programming.

All three Elite-series 2K Plus systems are packaged with a collection of da Vinci's most popular features. Vector Plus provides True Gamma, enhanced key functionality, and overlapping vectors with additive adjustment of luminance and color. Defocus, which includes its own Power Window and specialized color processing channel, allows users to control depth of field and apply popular soft light and glow effects for all image resolutions. The Colorist Toolbox complements 2K Defocus to provide four Power Vectors that combine the selectivity of Supervectors with added matte defocus, two additional channels of defocus and color enhancement, local Power Windows, and special effects filters including noise, silk, and fog effects.

While all 2K Elite models are powered by Vector Plus, Defocus, and Colorist Toolbox, what differentiates the three 2K Elite models is the number of Power Tiers, each of which adds two independent image-processing channels with combined Power Window and Supervector qualifiers that extend color processing. The 2K Ruby is packaged with two Power Tiers, while the 2K Sapphire has three, and the 2K Emerald features four, providing a total of 14 channels.

A customized control panel clearly denotes the feature set of each system. Existing 2K Plus users can receive their signature Elite panel simply by renewing their service support agreements. They can also add Power Tiers to their existing model to graduate to a higher-level Elite system.

For more information, visit www.davsys.com or call (954) 688-5600.

Digital Vision Introduces Next Generation Valhall System
Digital Vision introduced the latest generation of its Valhall Color Grade system. Valhall is a comprehensive color correction system for tape and disk-based image processing applications.

The system is designed to be very flexible and to improve the performance and productivity of operators.

Valhall is particularly well suited to environments that do not require telecine control, including restoration of library materials and processing of video-originated ("electronic capture") program material, including sitcom, feature film, documentary or dramatic footage shot with the latest generation of 24p cameras.

Valhall Color Grade is a highly configurable, low cost and high-quality environment for a wide variety of color correction, image restoration and enhancement applications. The system provides a highly ergonomic, user-friendly interface that each operator can easily customize and manage. New users (including experienced colorists who are familiar with legacy systems as well as new operators) can learn the system quickly and begin doing productive work almost immediately due to the system's short learning curve.

Valhall Color Grade incorporates the Digital Vision ACP Color Corrector and can also control all Digital Vision image processing and enhancement options, as well as third party products like VTRs and disk recorders.

Valhall runs on a Microsoft Windows XP platform and the user interface utilizes familiar Windows paradigms for all functions. A key benefit to the operator is Valhall's fully user-configurable control environment. The user can reassign the function of nearly every button, knob, trackball and master ring in the system. The system stores each user's set of control assignments in a template file that can be recalled in a few seconds.

Valhall comes with three control panels (Color, Media and Image) that can be configured in a variety of positions dependent on the operator's preferences. Each panel is multifunctional and almost every control is user-definable.

In most user environments, the Valhall Color Grade system is accessed by more than one operator. Each operator has his or her own style, look and preferences. To ensure that the Valhall system can be successfully adapted to a variety of user environments Digital Vision has incorporated Advanced User Profiles for each individual operator. 

Valhall offers an optional, fully integrated still store and controls. The Vallhall still store is completely integrated into the system and does not require any external controls or hardware.  Valhall's EDL and/or Timeline (along with associated metadata) are the core elements that are generated and saved by Valhall. The Vertical EDL and Horizontal Timeline functions can be used simultaneously. 

Valhall's Note function uses thumbnails for its organization and storing of processing parameters. Each Note can be saved specifically for the operator, shared by all users, or saved to a particular project. Valhall's Project Manager enables the system to manage multiple projects being completed by many different users. 

Valhall's integrated Rapid Edit Controller streamlines the most common editing functions into the compact Valhall Media Panel and incorporates several enhanced editing functions within the systems EDL to accelerate common editing functions and quick insert edits.  Valhall incorporates an editing system that can insert hundreds of highlighted edits on the fly with the touch of a single button; this results in a significant time savings to the operator when asked at a later time to perform fixes, adjustments or tweaks to a particular title.

Valhall Color Grade supports the following image formats: 4:2:2 YUV, 4:4:4 YUV and 4:4:4 RGB in 525i, 625i, 1080i, and 1080 psf.

For more information, contact Digital Vision in Sweden, +46 8 546 182 00, fax: +46 8 546 182 09, or in the U.S., (818) 769-8111, fax: (818) 769-1888, www.digitalvision.se.

The Power Slide By Doggicam Systems
Doggicam Systems has released its latest innovative product: the Power Slide. The Power Slide offers a high-tech, super rigid yet lightweight rail system and precision-controlled sled capable of operation through Doggicam’s FCC-licensed integrated radio link.

The Power Slide offers the capability to remotely dolly the camera with while mounted on free driving vehicles, overhead grids or in tight spaces and over long distances.

The Power Slide consists of a modular, high-tech rail system with wireless-controlled precision dolly. The dolly is fully captive on the rail system and can be underslung or overslung, as well as run at angles up to 45°. The dolly’s 16 custom precision wheels capture the rails with such close tolerance as to provide zero lateral movement between the dolly and rails. The positive fit between dolly and rail provides an extremely stable platform for the Sparrow Head under all conditions. Even using a 24” (60.96cm) riser and 24” camera offset with the Sparrow Head, the dolly is completely stable throughout it’s move. The dolly includes an integrated leveling plate in order to run the rails at angles with a level the head.

Constructed of aluminum honeycomb and carbon fiber, the rail system offers a lightweight yet rigid structure strong enough to be a structural member in a rig. Its strength and rigidity make it capable of being cantilevered off a vehicle while supported from just one end. The rails come in 4’ (1.21m), 6’ (1.83m) and 8’ (2.43m) sections and can be joined together to extend a move up to 100’ (30.48m).

An 8’ section of rail weighs just 24 pounds (10.88 kg) and is capable of supporting 500 pounds (226.8 kg) with less than .050” (1.27mm) deflection. Rail sections are 10” (25.4cm) wide and provide secure mounting points every 12” (30.48cm) along their lengths. The sled is 12” (30.48cm) wide and can pass through a 12.5” (31.75cm) opening. When mounted with a fixed-position camera, the Power Slide can pass the camera through a 14” (35.56cm) high opening. The sled is currently capable of speeds up to 3’ (.91m) per second. The control system offers precise setting of start and end marks as well as ramp speeds to allow smooth control of the sled even if the end mark cannot be seen by the dolly grip. Even though the Power Slide system may be mounted to a vehicle traveling at high speed up to .25 mile (.40km) away, the dolly will hit it’s mark every time through the digital controls via wireless link.

The Power Slide has shown it’s capabilities on various commercials and feature films, including Steven Spielberg’s War of the Worlds. Soon, Doggicam Systems will offer the integration of a full motion-capture and playback capability for the sled, head and camera. Timelapse programs or repeatable moves may be programmed onscreen or input by joystick and hand wheels.

For more information, visit www.doggicam.com or call (818) 845-8470.

ERG Ventures Introduces HDM-EV85 Portable HD Monitor for Sony HDV Camcorders
HDV camcorder users can now make use of the ERG HD monitor’s color accuracy and high-resolution image. ERG Ventures has introduced the HDM-EV85 8.4” monitor, specifically designed for the Sony HVR-Z1U and HDR-FX1HDV camcorders.

The 8.4” monitor’s high resolution will relieve HDV users from using a small onboard LCD monitor to view high quality HD contents.

The HDM-EV85 offers enhanced color, frame markers and a convenient memory preset function. More importantly, its HD analog input enables Sony’s HDV camcorder to connect to the HDM-EV85 directly. This affordable monitor will accept most popular video image formats: 1080i, 1080 psf and 720p. In addition, the HDM-EV85 power unit is compatible with the HDV camcorder’s 7.2V battery. The monitor, with two 7.2V batteries, lasts for 2 1/2-3 hours.

The HDM-EV85 display panel has a resolution of 1024x768 pixels, and its 8.4” LCD screen will enable HDV camcorder users to precisely focus the shooting image and check the image angle with various marker functions, such as a 16:9 frame marker. Also, the HDM-EV85’s clarity and image quality can be used as a quality-control monitor.

Other advantages of the HDM-EV85 include: an active LCD area that displays 16.77 million colors by having 8 bits per RGB; each LCD is shipped only after color adjustment optimization to reduce the incompatibility between CRT and LCD monitors; Color Temperature controls (6500°K and 9300°K); an Aspect Ratio function that correctly displays the originally recorded image; a Gamma Adjustment function which correctly lightens the image to help facilitate the monitoring process; a180-degree rotatable display; an SD analog composite input, a large tally signal light, and a Sony12V battery mount are available as options. It measures just 8.3”x2.55”x6.96” (21.82cm x 6.47cm x 17.68cm) and weighing only 3.7lbs (1.68kg). Manufacturer suggested retail price is $2,980.

For more information, visit www.erg-ventures.com or call (949) 263-1630.

Erg Ventures 8.4" HD Monitor HDM-EV80D
The award-winning ERG HDM-EV80D 8.4" HD monitor now offers cinematographers the ability to flip the image right-side up.

The award-winning ERG HDM-EV80D 8.4" HD monitor now offers cinematographers the ability to flip the image right-side up.

When shooting with the Panavision system through a Canon ACV235 Anamorphic Lens Converter, the image is compressed from an aspect ratio of 2.35:1 to a standard HD aspect ratio of 16:9 (1.78:1). But, because the image is presented upside down, it makes it difficult for directors, camera operators and others to view the image. The HDM-EV80D is able to flip the image right-side up with its revolutionary flip-image function and aspect ratio adjustment feature. Thus, the image will be adjusted to the exact aspect ratio of 2.35:1.

The HDM-EV80D also offers the following: enhanced color and gamma adjustment functions, additional framing markers, and a convenient memory preset function. It serves as a rack mount monitor that can easily be adapted for location shoots, and the monitor’s HD/SD inputs can be intermingled. The HDM-EV80D has four inputs.

With its DC output, wiring two monitors consecutively from one DC unit is made simple. Some of the other qualities of the HDM-EV80D are: a front panel volume adjustment; four inputs and one output, which makes it useful on locations when multiple cameras are used (events, dramas, sports, news, etc.); an energy-saving feature, which uses only 1/4 battery power of a cathode-ray tube type monitor; and its compact size (6.93”x8.43”x2.36”).

For more information, visit www.erg-ventures.com or call (949) 263-1600.

Fast Forward Video Launches New Portable FieldPro DVR with Internal 80GB Hard Drive
Fast Forward Video, Inc. (FFV), announced the launch of its new FieldPro DVR with IDE drives.

Fast Forward Video, Inc. (FFV), announced the launch of its new FieldPro DVR with IDE drives. The FieldPro DVR is designed for a wide range of uses including security, surveillance, military, law enforcement, broadcast, and industrial users.

The FieldPro DVR is a portable standalone digital-video recorder measuring just 5.0”x1.35”x3.21” (12.7cm x 3.43cm x 8.15cm) with an internal 2.5” hard drive. A rugged, compact utilitarian DVR, the FieldPro DVR features video capture and playback at 60 fields per second, resolution greater than 550 lines at 4:1 compression, user-selectable compression ratios ranging from 4:1 to 20:1, and recording times averaging between 4-20 minutes per gigabyte. It delivers exceptional image quality, featuring scalable Motion JPEG compression and a 720x486 pixel image resolution.

Designed with the award-winning technology of Fast Forward Video’s Omega Deck, ultra-compact Recon DVR, and Mini DVR Pro, the FieldPro DVR offers a broad feature set with a compact design for excellent flexibility in industrial recording applications, among others.

The DVR’s control panel features include record, seek or scan forward/backward, single-frame forward/reverse, delete clips, and play/pause. An external 12V DC power adapter powers the miniature system.

The FieldPro DVR simplifies video management through essential features including time/date stamp and character display, time-lapse recording, NTSC/PAL compatibility, and composite and Y/C inputs and outputs. Users can record video as PC-viewable QuickTime files or secure video files.

For more information, visit www.ffv.com or call (949) 852-8404.

Focus Enhancements Firestore FS-4 Direct-To-Edit Recorder
Focus Enhancements introduces FireStore FS-4, a portable Direct-To-Edit recorder for handheld digital camcorders.

FireStore’s powerful DTE technology combined with FS-4's rugged enclosure and small size makes it a complete tapeless solution for field broadcast, sports, event and education users of handheld digital camcorders.

FS-4 features a 40GB (3-hour) internal disk drive, a 6-pin FireWire connector for interface with camcorders, a 6-pin FireWire connector for interfacing with a computer for editing or file transfer, a backlit LCD status display and a comprehensive set of control buttons including a navigation pad. FS-4 also supports DTE Technology file formats including RawDV, AVI  Type 1, AVI  Type 2, Matrox AVI,  Canopus AVI and QuickTime including 24p. The FS-4Pro model adds support for the Avid OMF and Pinnacle AVI file formats, retro record modes so that a shot is never missed, user-definable time lapse, loop playback, scene marking and multiple file folder capabilities. The FS-4Pro will also be available with an 80GB (6-hour) drive.

FireStore FS-4 is available now through the worldwide Focus Enhancements and Canon USA dealer and distributor networks for $799. FireStore FS-4PRO 40GB and 80GB are available for $1,195 and $1,595 respectively.

For more information visit www.focusinfo.com or call (800) 338-3348.

Fujinon’s New HA25x11.5BERD HH ENG-Style Lens
With Fujinon’s new HA25X11.5BERD HD ENG-Style lens, documentary filmmakers can now capture previously unreachable, remote images in pristine high-definition resolution.

Weighing a mere 6.2 pounds (2.81kg), thus requiring no additional support, the new HA25X11.5 is a compact telephoto lens ideally suited for gyro-stabilized platforms in aircraft, wildlife photography in remote areas and HD surveillance applications, where light weight and unobtrusive appearance are critical.

With a maximum focal length of 576mm (2x), reduced focus breathing, an aperture range of f/2.0 to f/2.8 and Fujinon’s exclusive DigiPower servo system for fast and accurate zooming, the HA25X11.5BERD complements remote-control-system and location documentary work. It also provides widescreen 16:9 or traditional 4:3 production capability under the harshest of conditions.

Standard features on the HA25X11.5BERD include Fujinon’s DigiPower zoom and focus servo, 2x range extender, direct RS232 control and diagnostics. Optional features include: the TS-P41A optical stabilizer, servo-controlled range extender, and the complete line of Fujinon remote control accessories.

The HA25X11.5BERD is designed to complement 2/3” high-definition video cameras.

For more information visit www.fujinonbroadcast.com or call (973) 633-5600.

Fujinon Introduces Latest Version of Precision Focus Assist System
Fujinon has introduced an expanded lineup of its patented focus system designed to improve the quality of HDTV image capture in field and studio applications.

The latest Fujinon Precision Focus Assist system is available on the company’s XA101x8.9BESM HD zoom, HA22X7.3BRD HD EFP lens and the HA13x4.5BRD-S28K HD wide-angle lens. Precision Focus Assist is a built-in feature that addresses precise focus issues in HDTV production stemming from the format’s shallow depth of focus and the lack of size and resolution in camera viewfinders.

This is not an auto focus system, but a focus assist that precisely adjusts the lens for optimum focus. Using this system, a selectable area of the video image is sampled as the focus point. The camera operator can adjust the user selectable point with a roller-ball type of controller, similar to a computer mouse, to position the focus point. The camera operator can then select manual or automatic focus assist. In the manual mode, there are three colored LEDs that assist in achieving optimum focus. When the automatic mode is selected, the Precision Focus Assist system takes control and optimizes the focus, ensuring the captured image will be of the highest possible quality. Additionally, when panning and tilting, the operator can follow the focus point and position it above the object of focus as the camera is moved with the controller. An added benefit of the Precision Focus Assist is that it does not require tight zooming to focus. It performs even on a wide shot.

For more information visit www.fujinonbroadcast.com or call (973) 633-5600.

JVC GY-DV5100 3-CCD DV Camcorder
JVC Professional Products Company has introduced its new 3-CCD 12-bit ADC Pro-DV Camcorder, the GY-DV5100. Its enhanced image quality and improved operational functions make the GY-DV5100 an ideal choice for electronic newsgathering and professional production.

The GY-DV5100U utilizes a newly developed 24-bit digital signal processor (DSP) that produces higher resolution images with dramatically less visible noise than previous models. Its integral 12-bit analog-to-digital converter (ADC) allows the camera to provide color details throughout its 400-percent dynamic range. With increased clarity and ability to produce details and colors in both shaded and highlighted areas, the GY-DV5100U delivers images previously found only in expensive field production cameras.

The camcorder is tightly integrated with the DR-DV5000U, JVC's Direct-to-Edit (DTE) disc recording module. DTE provides all of the advantages of tapeless acquisition with the added benefit of being able to edit directly from the files created by the camera. No time-consuming digitizing or transfer is necessary, as the camera's removable hard disk becomes part of the editing system. The optional DR-DV5000U attaches to the rear of the camera via a built-in 52-pin connector without cables, and works in conjunction with the camera's CPU.

JVC's GY-DV5100U is directly compatible with Anton Bauer's digital batteries that provide viewfinder status of remaining battery life. An intelligent “light link” function is also available that operates an optional camera mounted light with the recording trigger. A connector is also provided to power an external wireless microphone receiver.

Suggested list price is $6,495. For more information visit pro.jvc.com or call (800) 582-5825.

LitePanels Infrared LED Light
The creators of the award-winning LED LitePanels Mini introduced the LitePanels Infrared. This new LED lighting system facilitates shooting in total darkness, making it ideal for work in extremely low light levels.

LitePanels Infrared is an invaluable tool for cinema verité style projects such as the HBO documentary series Family Bonds. According to Bonds cinematographer Peter Rieveschl, “We keep our presence minimal and try to interfere as little as possible. LitePanels’ IR units are essential for those ‘stealth’ moments — the times we wouldn’t want to be seen."

Measuring just 6.75”x2.25”x1.25” (175mm x 55mm x 30mm) and weighing only 9.6 oz. (.36 kg), the compact, rectangular head mounts easily on cameras, a stand, or any tight spot. With a maximum output of 960nm, this heat-free system is infinitely dimmable from 0-100 percent, and produces no visible light.

LitePanels Infrared can be powered from a variety of 10-30V sources, including a standard camera battery, car battery, AC adapter, or snap-on NIMH 1-hr plus battery pack. The system is available as a single head or in a kit including the infrared head, battery pack, power adapter, swivel arm with hot-shoe adapter and more in a convenient carrying case. Suggested list price is $700 for the single head.

For more information, visit www.litepanels.com or call (818) 752-7009.

MTI Film Ships Version 4.0 of Correct
MTI Film has released the latest version (4.0) of its Correct dirt-fix and restoration software.

The Correct digital restoration system, first introduced over 10 years ago, has been a successful component of MTI's Digital Intermediate platform, providing high-speed correction capabilities and efficient file management through its integrated user interface.

Correct V.4’s new features include a Paint Tool which offers painting, cloning and onion-skinning capabilities, and Batch Processing, which allows a client to set up any number of different processes such as Autofilter and Vertical Scratch to run automatically on selected footage. Correct V.4 now features support for 4:4:4 material and provides node-locked licensing for the life of the product and allows more flexibility in licensing the various software modules.

For more information, visit www.mtifilm.com or call (401) 831-1315.

Thompson Venom FlashPak Dockable Solid-State Recorder for Viper Filmstream Camera System
Thomson introduced the Grass Valley-brand Venom FlashPak solid-state recording system for the Viper FilmStream Digital Cinematography Camera. The Venom FlashPak system supports this approach by capturing the uncompressed output of the Viper camera in a lightweight, solid-state system that is compact, dockable, and rugged.

The combination of the Viper camera and the Venom system easily comports itself to modern moviemaking workflows.

The easy-to-mount Venom FlashPak system creates a complete portable solution for digital cinematography and high-quality HD content origination. When shooting with the Viper camera in FilmStream mode, each Venom system has a 10-minute capacity; shooting in 4:2:2 HD extends this capacity even further — to 18 minutes. As a solid-state recorder, it has no moving parts, making it durable and rugged for production work.

The dockable Venom FlashPak system can also output to a range of devices. Equipped with a Bluetooth interface, it also allows a crewmember to sit on a set and wirelessly create and edit metadata, which is recorded and permanently associated with the content. This is an elegant replacement for the conventional paper notes associated with film shoots. On a typical film shoot there might be two or three Venom FlashPak systems in use: one in the camera, one ready to replace it, and one writing to the transport medium to be delivered to the post house.

In addition to the Viper camera, the Venom FlashPak system supports the Grass Valley LDK 6000 mk II WorldCam camera.

For information, visit www.thomsongrassvalley.com or call (818) 729-7714.

Panasonic Introduces AJ-HDX400 1080i DVCPro HD Camcorder
Panasonic has introduced the AJ-HDX400 1080i DVCPro HD camcorder at a suggested list price of $42,500.

To dramatically lower the cost of HD postproduction, the AJ-HDX400 teams with the Panasonic AJ-HD1200A IEEE 1394 DVCPRO HD VTR and Apple Final Cut HD software to offer a powerful, affordable acquisition-through-editing system.

The AJ-HDX400 features three 2/3” 1-million pixel IT progressive CCDs to produce a high sensitivity of f/10 at 2,000 lux, outstanding low-light shooting down to 0.008 lux at up to +74dB in digital super gain mode. It is equipped with 12-bit A/D DSP circuits that provide optimum picture quality, color reproduction and luminance gradation and an advanced 12-axis matrix color correction system permits precise colors to be adjusted without affecting overall color tone.

The well-balanced camcorder offers built-in, image-enhancing features including a Cine-like gamma curve to simulate the look and feel of film, detail functions including skin tone detail and shading correction that adjusts for the use of a lens extender.

The AJ-HDX400 uses DVCPro HD-LP 9-micron recording to record 33 minutes on a DVCPro medium-size cassette (a 50-percent tape cost reduction over 18-micron DVCPro HD recording) and records 48kHz/16-bit digital audio on all four channels. It offers a digital zoom with an up to 400-percent image enlargement where the HD image retains its superb resolution and brightness is maintained.

The AJ-HDX400 provides as standard a 10-second prerecording function that permits it to capture spontaneous scenes a shooter might otherwise miss. The prerecording function continually caches 10 seconds of video and audio in memory (time settable by one-second increments) as it enters the camera’s front lens. When a user pushes the record button, video and audio in the cache are recorded to tape. This HD camera also offers a Retake Mode that allows it to automatically back up to the start of the last take and record over it. A one-frame interval Rec function is also offered for time-lapse recording.

A standard HD SDI output is included for monitoring and line recording, and a down converter is built-in to produce an NTSC composite output, eliminating the need for an expensive SDI monitor. The camcorder also includes a Save Rec function that reduces power consumption to a low of 35.5 watts during recording,

Other standard features include: Auto Tracking White Balance; two four-position optical filters; multifunctional zebra patterns (to adjust contrast, auto white balance and color bar output); four user scene files, three user-customized buttons, one-touch display for 4:3 aspect ratio; electronic shutter (1/100 to 1/2000 sec) with synchro scan shutter (1/60.3 to 1/249.8 sec); an easy-slide shoulder pad that adjusts 1.18” in 10-steps; and a three-point locking viewfinder mount for precise adjustment. The weight of the camera head is only 9.4 pounds.

Among the AJ-HDX400’s optional accessories are the AJ-GPS900G GPS unit to record real-time position data onto the tape including altitude, longitude and latitude, the AJ-HVF20BP 2” HD 16:9/4:3 viewfinder, and the AJ-MC900G 5-pin stereo mike.

For more information visit www.panasonic.com/broadcast.

Panasonic Broadcast PT-D7700U 3-Chip DLP Projector
Panasonic Broadcast is now delivering the high-resolution PT-D7700U, a lightweight, large-venue 3-chip DLP projector

The heavy-duty PT-D7700U offers 4000:1 contrast ratio and a 1400x1050 SXGA+ resolution in a native 4:3 aspect ratio, enabling it to work with existing installed screens, while its flexibility is ideal for rental and premium home theater applications. The PT-D7700U is equipped with a 3-chip DLP light valve to produce 7,000 lumens of brightness and vivid, true-to-life images. Its dust-proof, sealed, fluid-cooled optical system offers high reliability for demanding applications like 24/7 command and control centers.

The projector combines a theater-quality 4000:1 contrast ratio with a newly-developed Dynamic Iris, a Panasonic exclusive technology that constantly monitors the amount of light output and adjusts the intensity of the light source to match it. Dynamic Iris integrates with Dynamic Gamma correction to increase highlights so as blacks get blacker, the bright areas remain bright. Its Dynamic Sharpness control increases image sharpness without adding noise.

The unit’s high-speed digital signal processing (with 16-bit color depth for wider dynamic range) and progressive cinema scan (3/2 pulldown) capabilities team to produce rich, detailed blacks and to masterfully reproduce 24 fps film-based video.

The PT-D7700U incorporates Panasonic's BriteOptic dual-lamp system that delivers the power and reliability of two high-intensity 300-watt UHM lamps through a high-precision prism. Its lamp auto-changer alternates lamp operation to permit extended 24/7 use, and allows operation to continue without interruption even if one lamp burns out.

The projector offers built-in multiscreen color matching and edge blending for displaying uniform, natural-looking, full-motion images over a wide span without any discernible lines between overlapping blended images. An outstanding benefit of edge blending is that it increases the image's horizontal resolution while maintaining the maximum vertical resolution. Up to 100 projectors (10x10) can be edge-blended at one time using the projector’s built-in processor.

By adding the optional Ethernet network module, the unit is network-ready, enabling network administrators to centrally monitor it via LAN-based remote control over a Web browser, thereby lowering support costs and minimizing any downtime. The projector can send e-mail messages to notify the user when the unit’s operating condition changes or a lamp needs replacing.

The PT-D7700U is easy to setup with one-touch auto-setup with horizontal/vertical lens shift and Digital Keystone correction. This HD-capable projector can automatically synchronize to display 1080/24p, 1080/24sf, 1080/30p, 1080/25p, 1080/60i, 1080/50i, 1035/60i, 720p, 480p,480i and 576i video in the conventional 4:3 aspect ratio. It can project on screens from 70” to 600”.

Other standard benefits include RS-232C/RS-422 input/output control; mechanical shutter; 96 user memories; motorized vertical/horizontal lens shift and super-quiet operation. The projector weighs 48.5 pounds and measures 20-7/8”W x 7-7/8”H x 22-13/32”D.

In addition to a wide range of standard inputs (two RGB/YPbPr, S-video and composite video), optional input boards include HD-SDI, SD-SDI, RGB/YPbPr, DVI, Ethernet, and video/S-Video. Optional lenses available for both models include the: ET-D75LE1 1.5-2.0:1 zoom lens, ET-D75LE2 2.0-3.0:1 zoom lens, ET-D75LE3 3.0-5.0:1 zoom lens, ET-D75LE4 5.0-8.0:1 zoom lens, ET-D75LE8 8.0-1.0:1 zoom lens, and ET-D75LE5 0.8:1 fixed-focus lens.

The PT-D7700U has a suggested list price of $35,000.        

For more information, visit www.panasonic.com/projectors or call (800)-528-8601.

Panasonic AJ-SDC905 DVCPro50 Camcorder with IEEE 1394
Panasonic has introduced the AJ-SDC905, its first dual-mode DVCPro50 camcorder that combines three high-performance 2/3” CCDs, 12-bit DSP for superb video and audio quality and an IEEE 1394 input/output to expedite 50Mbps nonlinear editing.

Ideal for NTSC-compatible newsgathering and high-performance video production, the AJ-SDC905 offers EFP-quality 4:2:2-sampled DVCPro50 or 4:1:1-sampled DVCPro recording at native 16:9 widescreen or 4:3 aspect ratios.

The AJ-SDC905 features three 2/3” 520,000-pixel 16:9 native CCDs to produce 750 lines of resolution, a high sensitivity of f/13 at 2,000 lux, and outstanding low-light shooting down to 0.01 lux (at +68dB). The camcorder is equipped with 12-bit A/D DSP circuits that provide improved picture quality, color reproduction and luminance gradation and an outstanding 65dB signal-to-noise ratio. Its advanced 12-axis matrix color correction system permits precise colors to be adjusted without affecting overall color tone. 

The AJ-SDC905 offers as standard a six-second prerecording function that permits it to capture spontaneous scenes a shooter might otherwise miss. The prerecording function continually caches six seconds of video and audio in memory (time settable by one-second increments) as it enters the camera’s front lens. When a user pushes the record button, video and audio in the cache is recorded to tape. The AJ-SDC905 also offers a Retake Mode. An extremely valuable feature for news shooting, the Retake Mode allows the camcorder to automatically back up to the start of the last take and record over it.  Additionally, the camcorder provides one-frame interval REC for time-lapse recording.

This highly-refined camera is outfitted with a Super Gain function with a maximum gain of +48dB, plus a time-accumulate Digital Super Gain mode to offer additional gain of +6/+12/+20dB for ultra-high sensitivity shooting (as low as 0.01 lux (at +48/+20dB setting) for nighttime acquisition.

The 15-pound, well-balanced camcorder offers a maximum record time of 33 minutes in DVCPro50 and 66 minutes in DVCPro, and provides two 48kHz/16-bit digital audio channels in 50Mbps DVCPro50. The camcorder is equipped with an IEEE 1394 digital interface to losslessly transfer audio and video to a computer for in-field editing or for dubbing to another IEEE 1394-equipped DVCPro recorder.

The AJ-SDC905 also provides one-touch camera status report, as well as an electronic shutter (speeds from 1/100 to 1/2000 sec) and synchro-scan capability (1/60.3 to 1/249.7 sec.)

Other shooting-assist functions include: a four-position optical filter wheel; four built-in user scene files; three user-customizable function buttons; a marker selector function (for displaying a 4:3 marker); multi-functional zebra pattern/display adjustment; SD memory card for storage of operational settings; Auto Tracking White Balance; built-in SMPTE time-code generator/reader; low power consumption of 25 watts; quick response standby mode; built-in time-code generator/reader and genlock; and phantom power supply (48V phantom mic).

Other optional accessories include: a 26-pin remote control system

(AJ-CA905/RC905), a Unislot wireless receiver; GPS unit (model AJ-GPS900G); and a handheld, easy-to-operate camera remote. The AJ-SDC905 is available at a suggested list price of $18,900.

For more information visit www.panasonic.com/broadcast.

Red Giant Software’s Film Fix Restoration Tool
Red Giant Software, publisher of a line of professional desktop tools including Magic Bullet and Knoll Light Factory, has introduced Film Fix. This new cutting-edge technology consists of a set of plug-ins designed for documentary filmmakers and postproduction studios that need film and video restoration tools on the desktop.

Using Film Fix, Adobe After Effects users can restore tears, remove dust and dirt particles, and stabilize footage originated on film and video resolution material transferred from film. The processing is nearly automatic, provides high-quality output, and rivals dedicated high-end systems. Features include: repair seams with the automated tear-repair tool; stabilize footage with fast, software-based 2-D translation; automatically eliminate severe nonlinear interframe brightness fluctuations; remove dust and sparkle defects using motion detection information; render across a set of networked computers to execute full collective CPU potential.

Film Fix utilizes a fast, accurate motion-estimation system, which processes pixel-accurate image data at different scales similar to the way the human eye views the world. These powerful, intelligent algorithms allow it to identify problems such as dust, dirt and tearing despite complex motion in the footage. Once identified, these artifacts are quickly and naturally removed.

Film Fix for After Effects 6.0 or later (Windows only) is available for $1,995. Macintosh support will be added in 2005. Film Fix also includes full support for unlimited multi-client rendering through an After Effects render farm.

For more information, visit www.redgiantsoftware.com (260) 625-5343.

Thomson Grass Valley Cameras: LDK 4000 and the LDK 400 ITW
Thomson announced two new Grass Valley-brand cameras: the LDK 4000 for affordable, single-format high-definition (HD) production and the LDK 400 ITW, a 14-bit camera that supports a wide range of standard-definition (SD) uses.

The LDK 4000 is designed for small-to-medium size digital production studios and media creation companies that have settled on a single HD format. It’s also ideal for countries such as China and Australia as well as the Eastern European and Far Eastern regions, where the 720p format has not been supported universally. Meanwhile, the LDK 400 is targeted at broadcasters and studios that require the pristine image quality of a 14-bit camera at an affordable price.

The new LDK 4000 easily supports fixed-format requirements with models for 1080i and 720p production. Like all of Grass Valley HD cameras, the LDK 4000 offers low power consumption and Thomson’s Emmy award-winning (and patented) HD Dynamic Pixel Management (HD-DPM+) image sensor technology.

The Grass Valley LDK 4000 camera system includes a camera head, base station, an HD triax or fiber-optic cable adapter and the choice of either a 2” or 5” viewfinder. A series of optional features, control panels and signal transmission systems are available. 

With its dockable design, the LDK 400 ITW supports a wide range of settings, from affordable studio camera applications over multi-core cables to high-end productions over triax cables. It features high sensitivity (f/14 at 2,000 lux) and an excellent signal-to-noise ratio (65dB typical). It offers users the choice between DPM and ultra-low smear IT sensors, including switchable (16:9/4:3) aspect ratios for flexible performance. The LDK 400 camera head is compatible with Grass Valley Analog Triax, Digital Wireless, and the new DigiLink and Digital Triax systems.

For information visit www.thomsongrassvalley.com or call (818) 729-7714.