5/11/2015

    It's What I Do: Lynsey Addario on the Front Lines

    1. Early in her career, before the shock of 9/11 galvanized a generation of emerging photojournalists to throw themselves into the cauldron of international conflicts, Lynsey Addario was living with her boyfriend, Miguel, in a $500-a-month apartment in Buenos Aires. On Thursdays, she photographed the protestors of the Desaparecidos, mothers of victims of Argentina’s “Dirty

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    Too Much Johnson: Never Enough Welles

     1. Since Orson Welles’ death almost 30 years ago on Oct. 10, 1985, his life and work continue to fascinate historians and filmmakers like no other figure in the cinema canon. It’s as if the enigmatic figures that haunt his work as an actor, along with the labyrinthine myth of his directing career, are illusions created

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    3/30/2015

    Thomas Hart Benton Part 2: Before and After America Today

    1. Two years after returning from studies in Paris at the Académie Julian, the young painter Thomas Hart Benton, now living in lower Manhattan, was hired by a former roommate, Rex Hitchcock, to work as a scenic researcher and set designer for the movies. Benton’s salary was $7 a week. Hitchcock soon changed his name

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    José Clemente Orozco in New England

    On the wall, just above double doors, in a narrow hallway connecting the Dartmouth College Baker Memorial Library lower-level reserve reading room with Carpenter Hall, is a seldom seen masterpiece. It bears the unwieldy title Man Released from the Mechanistic to the Creative Life. It is a test panel for what became the most ambitious

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    Thomas Hart Benton and America Today

    The “today” of Thomas Hart Benton’s 10-panel mural painting is pre-FDR, early Great Depression America of 1930-’31, a kaleidoscopic portrait of working people and their entertainments; their Moloch-like machines of production; the land’s bountiful crops and natural resources. It is peopled by New York City subway straphangers, cowboys in the West, steel-mill and coal workers

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