3/30/2015

    Thomas Hart Benton Part 2: Before and After America Today

    1. Two years after returning from studies in Paris at the Académie Julian, the young painter Thomas Hart Benton, now living in lower Manhattan, was hired by a former roommate, Rex Hitchcock, to work as a scenic researcher and set designer for the movies. Benton’s salary was $7 a week. Hitchcock soon changed his name

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    José Clemente Orozco in New England

    On the wall, just above double doors, in a narrow hallway connecting the Dartmouth College Baker Memorial Library lower-level reserve reading room with Carpenter Hall, is a seldom seen masterpiece. It bears the unwieldy title Man Released from the Mechanistic to the Creative Life. It is a test panel for what became the most ambitious

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    Thomas Hart Benton and America Today

    The “today” of Thomas Hart Benton’s 10-panel mural painting is pre-FDR, early Great Depression America of 1930-’31, a kaleidoscopic portrait of working people and their entertainments; their Moloch-like machines of production; the land’s bountiful crops and natural resources. It is peopled by New York City subway straphangers, cowboys in the West, steel-mill and coal workers

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    Sebastião Salgado, Part 2: Genesis

    Midway through a scene in the documentary The Spectre of Hope, Sebastião Salgado explains to John Berger that the near 350 photographs in Salgado’s book Migrations represent little more than one second of actual time. This is premised on an average exposure of about 1/250th of a second, yet Salgado says this single second of

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