Raymond Cauchetier: Still New (Wave) at 95

    6.godard, belmondo and coutard

    No survivor of the “Nouvelle Vague” has the longevity of its best known “photographe de plateau” (set still photographer), Raymond Cauchetier. In fragile health for many years, still living with his Japanese wife, Kaoru, in the fifth-floor walk-up where he was born, Cauchetier is ever born anew.

    continue reading...

    Mary Ellen Mark: Human-Wise


    In his book Why People Photograph, Robert Adams, a master photographer of contemporary Western landscapes, writes, “At our best and most fortunate, we make pictures because of what stands in front of the camera, to honor what is greater and more interesting than we are.”

    continue reading...

    Vilmos Zsigmond and The Rose


    It was the end of American cinema’s freewheeling 1970s when Vilmos Zsigmond photographed The Rose, the Mark Rydell-directed, Bette Midler-starring, Bo Goldman-scripted movie about a rock ’n’ roll queen, Mary “Rose” Foster — four major artists at the peak of their creative careers in an all too brief era of American auteurism.

    continue reading...

    It's What I Do: Lynsey Addario on the Front Lines

    1. Early in her career, before the shock of 9/11 galvanized a generation of emerging photojournalists to throw themselves into the cauldron of international conflicts, Lynsey Addario was living with her boyfriend, Miguel, in a $500-a-month apartment in Buenos Aires. On Thursdays, she photographed the protestors of the Desaparecidos, mothers of victims of Argentina’s “Dirty

    continue reading...

    Too Much Johnson: Never Enough Welles

     1. Since Orson Welles’ death almost 30 years ago on Oct. 10, 1985, his life and work continue to fascinate historians and filmmakers like no other figure in the cinema canon. It’s as if the enigmatic figures that haunt his work as an actor, along with the labyrinthine myth of his directing career, are illusions created

    continue reading...