American Cinematographer’s Jim Hemphill chats with Pain and Gain cinematographer Ben Seresin, ASC, BSC, about working with director Michael Bay on this ambitious and kinetic film. The filmmakers often shot 60-90 setups in a single day, and used more than 20 different types of cameras for various effects. The resultant film is a bold visual statement, offering viewers unique and innovative perspectives.
Episode 48: Pain and Gain
29 minutes | audio
Ben Seresin, ASC, BSC, cinematographer
Jim Hemphill, host